This is the problem with Alabama’s death chamber practices: a lack of general applicability. As Justice Elena Kagan notes in her dissent, joined by justices Ruth Bader Ginsburg, Stephen Breyer and Sonia Sotomayor,the discrimination in the state’s policies is obvious: “A Christian prisoner may have a minister of his own faith accompany him into the execution chamber to say his last rites. But if an inmate practices a different religion whether Islam, Judaism, or any other he may not die with a minister of his own faith by his side.”.
The research contributes to the study of institutional work by incorporating sociomateriality (Orlikowski Scott, 2008) into the analysis of embedded agency. The study has implications for those seeking to govern by metrics, as it shows how striking a balance between what can be measured and what ought to be measured is complicated and requires a lot of work. Lastly, the research opens up a number of venues for future research into CSR, SRI and institutional work..
After graduation she successfully ran the Ilona Sochynsky Associates, a graphic design firm, until 1979 when the imperative to paint won out.Solo exhibitions: The Noyes Museum of Art, the Ukrainian Institute of AmericaCollections: Zimmerli Art Museum, Rutgers University, The Ukrainian Museum, The Noyes Museum of Art, Morris Propp Foundation, and private collections.What has been said about Ilona Sochynsky and her art”How enlightening and enjoyable it is to see an oeuvre that renders the issue moot through a hybrid art that encompasses both realism and abstraction, delving into the visual and conceptual potential of both of these artistic worlds Ultimately, through the blending of the naturalistic and the abstract, the ongoing stylistic progression of Sochynsky’s art offers both stability and transformation, and an art of intriguing effect.” Jeffrey Wechsler, Senior CuratorJane Voorhees Zimmerli Art Museum, RutgersThe State University of New Jersey, 2009″Contained within the borders of Ilona Sochynsky’s work are tumultuous abstract configurations of color and form. Her brilliant palette is accentuated by a profusion of shapes and forms that converge and overlap within the confines of the canvas. Weaver, Curator of Collections and ExhibitionsThe Noyes Museum of Art, 2007″[A] photorealist earlier in her career, [Sochynsky has] moved increasingly into abstraction.
Why are their glasses less expensive, other than the obvious overhead costs? They are not a profitable company. $100 million in revenue in 2015 and they weren turning a profit. In an interview from late 2017 one of the founders and ceo declined to answer if the company was profitable.