Le 3 Juin 1963, il chappe de peu la mort quand Valerie Solanas, militante fministe tente de tuer l’artiste l’aide d’un pistolet. Les coups tirs provoquent de nombreux dgts chez l’artiste touchs de nombreuses reprises. Elle tire aussi sur le critique d et compagnon d Mario Amaya et essaye galement de tuer son impresario, Fred Hughes avant que l ne s Dclar pendant un temps cliniquement mort, Warhol s tire de justesse, mais aura des squelles vie.
On Wednesday, OCCUPYOAKLAND is organizing a General Strike that is already finding support within the local community. Solidarity actions are planned in occupations nationwide. Within the movement, there is a sense that this may be a turning point as militant tactics come to the fore and direct confrontation with the structures of the corporate state becomes the norm..
Tehran wields growing influence in Iraq, particularly through armed factions. Since October 28, ten rocket attacks have targeted areas where US soldiers and diplomats are stationed. Iran has gained overwhelming influence in Iraq since the 2003 US invasion brought down Saddam Hussein.
Toiling under the blazing sun of a heat wave, Justin Odaffer puts the finishing touches to a Ray Ban ad he has spent several days painting on the facade of an East Village building in downtown Manhattan.For the past seven years, Odaffer who has a degree in fine art has painted ads on walls in New York, Los Angeles and Chicago for Colossal Media, which has risen from nowhere to become the leader in painted advertising.”Basically we created a revival,” says Odaffer. Without the company he works for, he believes painted ads would be hanging “by a very thin thread.”But setting up the company in 2004 was a leap of faith, admits Paul Lindahl, co founder of Colossal, which is based in Brooklyn’s hipster hub of Williamsburg.”Technology was taking over and there was really no need for hand painting at the time. Nobody cared,” says Lindahl, who comes from a family of Hungarian immigrants.”It was expensive.
Mrs. Gandhi response was to declare a state of emergency, under which her political foes were imprisoned, constitutional rights abrogated, and the press placed under strict censorship. Meanwhile, the younger of her two sons, Sanjay Gandhi, started to run the country as though it were his personal fiefdom, and earned the fierce hatred of many whom his policies had victimized.
Adlington’s title page is similarly misleading, providing far more than commentary on the single work of the book’s title. After a cogent account of Andriessen’s development as a composer and thinker leading up to De Staat’s premier in 1976, he addresses in detail important stylistic influences on De Staat(discussed below). He then turns to the musical structures of the work, offering analytic insights that vary in their plausibility.