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Rituals of course are cathartic by nature, designed to help us process life’s passages, and while Ariadna’s journey has the feel of something transformative, in the end it’s surprising how little Dobrachkous takes advantage of her story’s centerpiece. The teenager begins as an angry, confused and deeply wounded young woman and doesn’t really transition out of that head space. In the Greek myth, Ariadne is rescued from the Minotaur when she helps Theseus navigate the labyrinth with the help of thread, and while Dobrachkous makes hers a more feminist tale (Temo accompanies her but he’s not her rescuer), there’s no sense that this rite is saving her from anything, or helping her deal better with her dysfunctional upbringing..

After Val’s suicide attempt fails, he decides to spring Kevin and the two make a pact to die together but not before they square away some unfinished business. Dark and melancholic as this setup might be, Carmichael and Abbott’s chemistry compels the entire film, and the comedy grows naturally out of their committed performances. Both actors treat their characters with honesty and empathy, introducing nuance into dialogue that would sound woefully heavy handed under most other circumstances.